Franziska Gad, Julie Laurberg og en medarbejder i atelieret på øverste etage i Magasin de Nord
Franziska Gad, Julie Laurberg and an employee in the studio on the top floor of Magasin de Nord.

Photo: Andrew Danemans samling

In the studio at Kongens Nytorv

Laurberg and Gad were among the many women who established themselves as photographers in the late 19th century.

Laurberg opened a studio in 1895 in Magasin du Nord's building at Kongens Nytorv. The company advertised that it was possible to be transported up there, because the building had a completely new phenomenon, an elevator, installed. Like other studios, the studio had a reception room, room for recording, darkroom and for processing negatives and positives.

Mand i fotostudie
The studios of the time were located on the top floor. The light sensitivity of the negative was low, and a lot of light was needed when photographing indoors. 

Photo: Andrew Danemans samling

Close to a quarter of all photographers in the period 1860-1900 were women. In Copenhagen the number was higher, in fact there were 43% women in the photography profession in 1900. It was a new profession without conservative traditions, so it was easier for women to establish themselves and get employment. It was also said that women's aesthetic sense and their special contact with children was what drew them into photography. In fact, their business talent and, for many of them, their special technical ability probably played a greater role in their success.

The 43% also included all the "invisible" employees in the studio. At Laurberg and Gad in 1920, sixteen women were engaged in developing negatives, retouching, developing paper images and retouching them. There were probably also some of the employees who operated the cameras and took photographs, just as Laurberg and Gad were involved in the entire process from recording to finished image.

All employees received a small four-leaf clover as a gift when the company turned 25 years old.

Photo: Andrew Danemans samling

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Laurberg and Gad employed mainly women, including Mary Willumsen, who later became famous for her racy photographs from the Heligoland bathhouse.

Photo: Andrew Danemans samling

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