J.P.E. Hartmann
Liden Kirsten
Romantisk Synge Stykke i én Act af H.C. Andersen
Klein Karin
Romantisches Singspiel in einem Akt
Little Kirsten
Romantic Singspiel in One Act
Opus 44
HartW 3
JPEW IV/1
DF 191
Author: Hans Christian Andersen
Composition: 1844-1846.
During his stay in Rome in 1833, Hans Christian Andersen was inspired by reading Rahbek's and Nyerup's edition of the old heroic ballads to write an opera text about Hr. Sverkel, however he had to give up his original idea that the music should be arrangements of the old folk songs. The text underwent several changes before Andersen handed it over to Hartmann in 1844, after Ivar Bredal had declined to arrange the music.The original intention was that it should be a Singspiel with spoken dialogue, but eventually it turned into a one act opera with recitatives. According to the newspaper reviews the premiere in May 1846 was a success, but Hartmann was not entirely happy with Sverkel's romance, so at his suggestion Andersen wrote a new text, which became No. 7, the recitative and romance "Ja, jeg er hjemme / Langt, langt fra Hjemmets Kyst", which was used for the first time on 4 March 1847, and from then on has been one of the most loved numbers in the opera. Apparently the opera was not very popular until the revival during the 1858/59 season, when it was advertised as "an original romantic opera in two acts". Thereafter it became extremely popular, especially after the war with Prussia and Austria in 1864 when it became a kind of national opera, passing its 100th performance in 1891. When it was performed at the celebration of Hartmann's 150th birthday 14 May 1955, it reached its 312th performance.
Lady Malfred (Alto); Kirsten, her daughter (Soprano); Etle, her relative (Mezzo Soprano); Mother Ingeborg, a farmer's wife (Alto); Sverkel, her son (Tenor); The Jester (Tenor)
Frau Martha (Alto); Karin, ihre Tochter (Soprano); Etla, ihre Verwandte (Mezzo Soprano); Mutter Ingeborg, eine Bauernfrau (Alto); Hialmar, ihr Sohn (Tenor); Der Narr (Tenor)
Music
Første Akt
Act One
Erster Akt
Sections
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Ouverture
Moderato - Allegro molto assai - Tempo I - Allegro molto assai
OvertureOrchestra: fl.flauto (flute) pic., 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 tr.tromba (trumpet) , 2 trb.t.trombone tenore (tenor trombone) , trb.b.trombone basso (bass trombone) , timp.timpani , arp.arpa (harp) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) -
No. 1. Duettino
Allegro moderato - Allegro agitato - Tempo II Klostret, hvor de fromme Nonner boe
Im Kloster, wo die frommen Nonnen sind
The convent where the pious nuns reside
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , arp.arpa (harp) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Liden Kirsten; Etle
Kirsten; Etle
Karin; Etla-
Recitativ
Allegro moderato - Allegro agitato - Tempo I - Allegro moderatoAk, det er sidste Gang i denne Verden
Ach, heut zum Letztenmal in diesem Leben
This is the final moment in this world
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , arp.arpa (harp) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Liden Kirsten; Etle
Kirsten; Etle
Karin; Etla
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-
No. 2. Dands og Vise med Chor
Allegro assai - Allegro moderato - Tempo 1 - Allegro moderato - Temp 1
Dance and Song with Chorus
Tanz, Lied und ChorDen Spillemand sin Harpe tog
Der Sänger nahm die Harfe sein
The minstrel stood and took his harp
Orchestra: fl.flauto (flute) pic., 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 tr.tromba (trumpet) , timp.timpani , arp.arpa (harp) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , T.tenore (tenor) , B.basso (bass)Narren
The Jester
Der Narr -
No. 2 A. Recitativ
Allegro moderato
Rezitativ
RecitativeNu drik, værer glade!
Nun trinkt, und erfreut euch!
Now drink, and be merry!
Orchestra: 2 fl.flauto (flute) , 2 fg.fagotto (bassoon) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Mor Ingeborg; Narren
Mother Ingeborg; The Jester
Mutter Ingeborg; Der Narr -
No. 3. Vise
Moderato - Più moto
Song
RomanzeFor Herrens Altar tør jeg sværge
Mit heil'gem Eide kann ich bezeugen
Before our Father's altar I'd swear
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 2 cor.corno (horn) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Mor Ingeborg; Narren
Mother Ingeborg; The Jester
Mutter Ingeborg; Der Narr -
No. 4. Quartet med Chor
Allegro agitato
Quartet with Chorus
Quartett und ChorGod Aften Moder! kan du kjende mig?
Gott grüss' dich Mutter! erkennst du mich?
Good evening, mother! Do you know it's me?
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 tr.tromba (trumpet) , 2 trb.t.trombone tenore (tenor trombone) , trb.b.trombone basso (bass trombone) , timp.timpani , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , S.soprano , T.tenore (tenor) , B.basso (bass) , B.basso (bass)Etle; Mor Ingeborg; Sverkel; Narren
Etle; Mother Ingeborg; Sverkel; The Jester
Etla; Mutter Ingeborg; Hialmar; Der Narr -
No. 4 A. Recitativ
Allegro - Più lentoMin Søn, fortæl, hvad Du har seet!
Mein Sohn, erzähl', was Du gesehn'!
My son, now tell what you have seen!
Orchestra: 2 fl.flauto (flute) , tr.tromba (trumpet) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Etle; Mor Ingeborg; Sverkel; Narren
Etle; Mother Ingeborg; Sverkel; The Jester
Etla; Mutter Ingeborg; Hialmar; Der Narr -
No. 5. Chor
Allegro graziosoI Kloster Liden Kirsten gaaer
Ins Kloster man klein Karin lässt
The convent soon shall Kirsten join
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , S.soprano , A.alto , T.tenore (tenor) , T.tenore (tenor) , B.basso (bass) , B.basso (bass)Etle; Narren
Etle; The Jester
Etla; Der Narr -
No. 6. Kvintet, Cavatina og Chor
Quintet, Song and Chorus
Quintett, Cavatine und ChorSections
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Kvintet
Allegro molto assaiSverkel! O du Kjære!
Hialmar! O Du Theurer!
Sverkel! Oh, my dearest
Orchestra: fl.flauto (flute) pic., 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 tr.tromba (trumpet) , 2 trb.t.trombone tenore (tenor trombone) , trb.b.trombone basso (bass trombone) , timp.timpani , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Fru Malfred; Etle; Mor Ingeborg; Sverkel; Narren
Lady Malfred; Etle; Mother Ingeborg; Sverkel; The Jester
Frau Martha; Etla; Mutter Ingeborg; Hialmar; Der Narr -
Cavatina
ModeratoLiden Kirsten, det er hende
Ha! klein Karin kommt gegangen
Little Kirsten stands before me
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 tr.tromba (trumpet) , timp.timpani , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Liden Kirsten; Etle; Mor Ingeborg; Sverkel
Kirsten; Etle; Mother Ingeborg; Sverkel
Karin; Etla; Mutter Ingeborg; Hialmar - Andantino quasi allegretto - Poco allegro
I morgen Du vil i Kloster gaae
Morgen willst Du in's Kloster gehn
The convent you will tomorrow join
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Sverkel
Sverkel
Hialmar -
Chor
Allegro molto assaiNatten lang, Dands og Sang
Nächte lang, Tanz und Sang
All night long shall we sing
Orchestra: fl.flauto (flute) pic., 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 tr.tromba (trumpet) , 2 trb.t.trombone tenore (tenor trombone) , trb.b.trombone basso (bass trombone) , timp.timpani , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , A.alto , T.tenore (tenor) , B.basso (bass)Etle; Narren
Etle; The Jester
Etla; Der Narr
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Anden Akt
Zweiter Akt
Act Two
Sections
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No. 7 (Original version). Arioso
Allegro non troppo graziosoJa, jeg er hjemme! Ja, jeg er i Danmark!
Orchestra: 2 fl.flauto (flute) , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Sverkel
Sverkel
Hialmar -
No. 7. Indledning
Poco lento sostenuto
Introduction
IntroduktionOrchestra: fl.flauto (flute) , ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 2 cor.corno (horn) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Sections
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Recitativ
Lento sostenutoJa, jeg er hjemme, i mit kjære Danmark
Ja ich bin wieder in der lieben Heimath
Yes, I am home now in my dearest Denmark
Orchestra: ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 2 cor.corno (horn) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Sverkel
Sverkel
Hialmar -
Romance
Poco andante
RomanzeLangt, langt fra Hjemmets Kyst
Weit, weit von der Heimath
Far from my home's coast
Orchestra: fl.flauto (flute) , ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 2 cor.corno (horn) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Sverkel
Sverkel
Hialmar
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-
No. 7 A. Recitativ
Poco moderato
Recitative
RezitativSeer Du, jeg er her alt og festlig smykket
Siehst Du, schon bin ich hier im Festgewande
Look now, I am here and finely dressed
Orchestra: 2 fl.flauto (flute) , ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 2 cor.corno (horn) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Liden Kirsten; Sverkel
Kirsten; Sverkel
Karin; Hialmar -
No. 8. Vexelsang
Allegro moderato - lo stesso movimento -Tempo I - lo stesso movimento - Tempo I - lo stesso movimento - Tempo I
Duet
WechselgesangHør Ungersvend, siig ikke nei
Hör', Junggesell, stell dich hierher
Now hear young friend, do not say no
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 2 cor.corno (horn) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass)Liden Kirsten; Sverkel
Kirsten; Sverkel
Karin; Hialmar -
No. 9. Scene og Chor
Scene and Chorus
Szene und ChorSections
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Scene
Allegro marcato e poco moderatoHil være vor Indgang i Riddersal
Heil unserem Eintritt zum Fest im hohen Rittersaal
Hail, as we bring to the Castle Hall
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 tr.tromba (trumpet) , 2 trb.t.trombone tenore (tenor trombone) , trb.b.trombone basso (bass trombone) , timp.timpani , arp.arpa (harp) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , S.soprano , T.tenore (tenor) , T.tenore (tenor) , B.basso (bass) -
Dands, Sang og Chor
Allegro moderato - Allegro
Dance, Song and Choir
Tanz, Gesang und ChorFra Klostret til Kirken er Nonnens Gang
Zur Kirch' geht vom Kloster der Nonne Gang
From convent to church is the path of the nun
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , arp.arpa (harp) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , S.soprano , T.tenore (tenor) , T.tenore (tenor) , B.basso (bass) , B.basso (bass)Fru Malfred; Etle; Narren
Lady Malfred; Etle; The Jester
Frau Martha; Etla; Der Narr -
Dands No. 2
Allegro
Dance No. 2
Tanz Nr. 2Natten kan rumme en Verden af Glæde!
Jubel und Freude erhellen die Nacht
Evening can fill a whole world with rejoicing
Orchestra: fl.flauto (flute) pic., 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 tr.tromba (trumpet) , timp.timpani , arp.arpa (harp) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , S.soprano , T.tenore (tenor) , B.basso (bass) -
Dands No. 3
Tempo di Menuetto
Dance No. 3
Tanz Nr. 3Orchestra: fl.flauto (flute) pic., 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 trb.t.trombone tenore (tenor trombone) , trb.b.trombone basso (bass trombone) , arp.arpa (harp) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) -
Vise
Allegro assai - Tempo I - Allegro assai - Tempo I
Song
LiedHr. Lave han reed sig under Ø
Herr Lave reitet wohl auf die Freit'
Lave he rode out one fine day
Orchestra: fl.flauto (flute) pic., 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 trb.t.trombone tenore (tenor trombone) , trb.b.trombone basso (bass trombone) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , S.soprano , T.tenore (tenor) , B.basso (bass)Liden Kirsten; Sverkel; Narren
Kirsten; Sverkel; The Jester
Karin; Hialmar; Der Narr
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-
No. 10. Terzet med Chor
Allegro
Terzett mit Chor
Terzet with ChorusSøster og Broder! Velsign os Moder!
Schwester und Bruder! o seg'n uns Mutter!
Sister and brother! bless us, Mother!
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 tr.tromba (trumpet) , 2 trb.t.trombone tenore (tenor trombone) , trb.b.trombone basso (bass trombone) , timp.timpani , arp.arpa (harp) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , S.soprano , A.alto , T.tenore (tenor) , B.basso (bass)Fru Malfred; Liden Kirsten; Sverkel
Lady Malfred; Kirsten; Sverkel
Frau Martha; Karin; Hialmar- Maestoso - Andantino
Det er min Synd, min Smerte
Fasst meine Sünde, meine Schmerzen
This is my sin that I suffer
Orchestra: 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , timp.timpani , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , S.soprano , T.tenore (tenor) , B.basso (bass)Fru Malfred; Liden Kirsten; Etle; Sverkel
Lady Malfred; Kirsten; Etle; Sverkel
Frau Martha; Karin; Etla; Hialmar
- Maestoso - Andantino
-
No. 11. Vexel-Romance med Chor
Allegretto
Duett-Romance with Chorus
Wechsel-Romanze mit ChorKjær Moder sig mig da, hvordan jeg Liden Kirsten glemme kan
Lieb' Mutter, sag mig an, wie ich klein Karin vergessen kann?
Dear mother mine, tell me how I can Little Kirsten forget?
Orchestra: 2 fl.flauto (flute) , 2 fg.fagotto (bassoon) , 2 cor.corno (horn) , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , A.alto , T.tenore (tenor) , B.basso (bass)Fru Malfred; Liden Kirsten; Sverkel
Lady Malfred; Kirsten; Sverkel
Frau Martha; Karin; Hialmar -
No. 12. Scene, Melodrama og Finale
Scene, Melodrama and Finale
Szene, Melodram und FinaleSections
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Scene
Allegro assai - Poco meno allegroDe stakkels Børn! Min ejegode Frue!
Die armen Kinder! edle liebe Frau!
Unhapiness! My kind-hearted Lady!
Orchestra: fl.flauto (flute) pic., 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 tr.tromba (trumpet) , 2 trb.t.trombone tenore (tenor trombone) , trb.b.trombone basso (bass trombone) , timp.timpani , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , S.soprano , T.tenore (tenor) , B.basso (bass)Mor Ingeborg
Mother Ingeborg
Mutter Ingeborg -
Recitativ
ModeratoDet Barn, som Eders Husbond bragte mig, er dødt!
Das Kind, das Euer Hausherr mir gebracht, es starb
That child, which your husband brought me, is dead
Orchestra: vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , S.soprano , T.tenore (tenor) , B.basso (bass)Fru Malfred (Frau Martha); Mor Ingeborg; Sverkel (Hialmar) - Allegro molto, assai - Poco meno vivace - Tempo di Menuetto
Munken han reed sig under Ø
Der Mönch ist geritten über Land
Early one day the monk rode out
Orchestra: fl.flauto (flute) pic., 2 fl.flauto (flute) , 2 ob.oboe , 2 cl.clarinetto (clarinet) , 2 fg.fagotto (bassoon) , 3 cor.corno (horn) , 2 tr.tromba (trumpet) , 2 trb.t.trombone tenore (tenor trombone) , trb.b.trombone basso (bass trombone) , timp.timpani , vl.1violino 1 , vl.2violino 2 , va.viola , vc.violoncello , cb.contrabbasso (double bass) Choir: S.soprano , S.soprano , T.tenore (tenor) , B.basso (bass)Narren
The Jester
Der Narr
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Sources
Sketches
12 pages; 33 x 25.5 cm.
Sketches for among other things Nos. 10 and 11.
Sketches
4 pages; 16.5 x 26 cm; 33.5 x 26 cm.
a) 5 bars from No. 2, "Dands og Vise med Chor", "Jon! binde op Hjelmen af Guld" / "O giv mig ja, ved Daggry maa vi skilles". (On the verso, sketch for "Skanderborg Festmarsch") / b) Final chorus and overture.
Draft (No. 7)
2 pages ; 33.5 x 25.5 cm.
Score, autograph, fair copy (Overture)
77 pages; 32 x 25.5 cm.
The first title page, "Liden Kirsten / romantisk Synge Stykke / i én Act / af H.C Andersen", originally functioned as title page for the copy of the autograph of Act One, of which only the overture is now preserved, and which along with the autograph score of Act Two made up the earliest complete edition of the opera. This volume was long thought lost, but was transferred to the Royal Library in 1997 in connection with the purchase by the Cultural Heritage Committee of Wilhelm Hansen Publishers' archives. The autograph score served as printing manuscript for the edition of Wilhelm Hansen's. (Plate no. 13717) published in 1905.
Piano score and short score, autograph, ending of the overture
2 pages; 35.5 x 33.5 cm.
Contains the last twenty-seven bars in piano score and short score. The last fifth bars are identical to the changed version of the overture in the copy of the score.
Score, autograph, fair copy (Act Two)
218 pages; 33 x 25.5 cm.
Vocal score, autograph, printer's copy
100 pages; 32.5 x 24 cm.
Comments on pages 9 and 30 suggests that the autograph was used as the printing manuscript for the piano score, issued by the publishers C.C. Lose & Delbanco in November 1846.
Vocal score, autograph, (no. 7)
6 pages; 35 x 26 cm.
Score, manuscript copy, fair copy
Volume 1219 pages; 33.5 x 25 cm. Title page: Liden Kirsten / romantisk Syngespil / af / H.C. Andersen / Musiken comp. / af / J.P.E. Hartmann.
In stiff brown binding with handwritten label pasted on: "396 / Liden Kirsten / Partitur I Akt. Stamped :"DET KGL. THEATERS MUSIKARKIV." Written in brown ink. Paper 18 staves.
The score is not dated, but vol. 1 is probably older than vol. 2, since the text is written in Kurrent script with older spellings. Vol. 1 contains only the changed version of the end of the overture and the changed version of no. 7; the copying must therefore have been made at a time when this these two changes have already been pasted into the manuscript, used as the original source of the manuscript copy. |
Volume 2216 pages; 33.5 x 25 cm. Title page: Liden Kirsten / Opera i 2 Akter / af / J.P.E: Hartmann / Partitur. / 2den Akt.
In stiff brown binding with title label pasted on: "396 / Liden Kirsten / Partitur II Akt." Written in brown ink. Paper: 12 staves. Pages 199-200 containing Ingeborg's recitative version and 12 bb. 35ff. have been cancelled and a new page 199-200, in a different hand and on different paper with the original spoken version, has been inserted.
|
Score, manuscript copy, fair copy (Act One)
148 pages; 33.5 x 25 cm.
Earlier bound with the autograph of the overture, probably as replacement for the autograph of Act One after it was burnt. Same copyist as the copy of Act Two.
Vocal score, manuscript copy, fair copy
104 pages; 32.5 x 25,5 cm.
Unsigned copy of the autograph vocal score with the same instructions to the music engraver.
Score, manuscript copy, fragment (Overture)
8 pages; 33,5 x 25 cm.
Consists of bb. 233-270 of the original ending of the overture.
Vocal and instrumental parts, manuscript copies
32 x 25 cm.
Liden Kirsten (2); Mor Ingeborg (2); Fru Malfred (2); Etle (2); Sverkel (1); Narren (1); vl.1 (5); vl.2 (4); va. (3); vc. (3)., cb. (3); fl. (3); ob. (2), cl. (2), fg. (2), cor. (3); tr. (2); trb. (3), timp., arpa. S.1 (6); S.2 (5); T.I, (2); T.2 (2); B.1 (3); B.2 (3). The parts were used at the first performance on 12 May 1846 and apparently were employed for all 332 performances at The Royal Theatre. Ongoing changes have been added in the course of time including musicians' handwritten signatures from performances right up to 1947, as well as a performance in Stockholm in 1928. The material bears strong traces of having been used many times. The instrumental parts in faded purple cardboard with cloth spines, the choral parts in blue cardboard.
Prompt book, manuscript copy
240 pages; 28 x 38.5 cm.
Répétiteur's part, manuscript copy
33 pages; 33.5 x 25 cm.
Choral score, manuscript copy, fair copy
86 pages; 28 x 38.5 cm.
Choral score for rehearsals.
Répétiteur's part, manuscript copy, fair copy (No. 9)
16 pages; 35.5 x 25.5 cm.
For solo violin. Unsigned and undated, inserted in grey boards, inscribed "A 396 / 14 / Liden Kirsten". Label pasted on cover: "112". Label pasted on first music page: "71 B". Used to rehearse the dances in No. 9, probably in connection with the performances after Bournonville's death in 1879.
Performance material (German), manuscript copies
Material for the performance in Weimar, January 1856. Dating in the prompt score: 17 January and 1 February. Overture with revised ending. No. 7: the original version followed by the altered one in both score and parts (including Hialmar's part) with neither of the versions cancelled. After the first version Hartmann has given a reference to the second version by adding "siehe Pag. 165"; before the second version in Hartmann's hand: "Der nächststehende Recitativ mit Romance kann statt der Arioso benutzt werden." Contrary to the rest of the score, the whole of the new version of no. 7 is written in Hartmann's hand. No. 12: Fru Ingeborg's lines in the original version with introductory speech without music. Names of characters: Frau Malte, Ingeborg, Etla, Karin, Hialmar, Narr. Numerous remarks in German in the score in Hartmann's hand.
Vocal score, print, first edition
98 pages.
Pl. no.2168.
Vocal score, print, later edition
103 pages.
Pl. no.2168.
Sverkel's "Introduction and Romance" added as an appendix on pp. 99-103.
Vocal score, print, later edition (Nos. 3, 7 and 8)
84 pages.
On pp. 51-67 in this collection.
Arrangement for piano two hands without text, print, first edition
50 pages.
Printed edition without text. All recitatives left out. From No. 10 on, the numbering has been changed compared with the vocal scores.
Libretto, draft, autograph
Incomplete draft on three loose pages of different sizes with the title: "Liden Kirsten / originalt Drama i to Acter af H.C. Andersen."
Libretto, autograph, fair copy
15 pages.
H.C. Andersen's fair copy of the 1835-version of the text, differing greatly from the final text that was eventually used by Hartmann. 14 paginated folios and a pasted-in single folio, numbered as p. 15 in stiff original cover. Before and after the pasted-in folio one og more pages seems to be missing.
Libretto, autograph, fragment
5 pages.
Draft for the 1846-version. The fragment begins with the third stanza of the Jester's Ballad from Act One: "Den Spillemand sin Harpe tog".
Libretto, manuscript copy
46 pages.
Manuscript copy with a number of corrections and additions by Andersen; handed in by Andersen to The Royal Theatre on 5 October 1844. The wavy lines in various places in the text, mentioned on the title pages, mean that Andersen originally meant the work to have interpolated spoken dialogue; thus the original genre designation "Syngestykke" (Singspiel).
Libretto, print, first edition
8 pages.
Libretto, print, later edition
Page 97ff. in H.C. Andersen: Samlede Skrifter, vol. 12. Functions as second impression of the libretto; there is thus no independent edition bearing the titel "Andet Oplag" (Second Impression).
Libretto, print, later edition
8 pages.
Libretto, print, later edition
8 pages.
Libretto, print, later edition
8 pages.
Libretto, print, later edition
20 pages.
Libretto, print, later edition
32 pages.
Libretto, print, later edition
8 pages.
Libretto, manuscript copy and print
11 pages consisting of a mixture of extracts from the printed text (probably the 1846-version) and a slightly changed copy in Ernst Weis' hand. It is not known whether this version was used for any concert performance. A version very different from the printed editions, with the following structure:
Ouverture
1ste Afdeling (1st Section) No. 1: (Weis' hand) slightly changed.
[No. 2: Jester's Ballad omitted].
[No. 3 omitted].
2den Afdeling (2nd Section)
No. 5 (Weis' hand).
No. 2: From "Det er en sælsom Skik" (print pasted in).
No. 4: Omitting one of the choral passages (print pasted in).
No. 6: (print pasted in) "Intermedium" (only a heading; in Weis' hand) "Dands: Borgestuen" (Dancing; the great Hall) (only a heading in Weis' hand)
[No. 7 omitted].
[No. 8 omitted].
[Beginning of No. 9 omitted].
No. 9: Jester's Ballad (print pasted in).
No. 10 (print pasted in).
No. 11 (print pasted in).
No. 12: (beginning in Weis' hand; end in print pasted in).
Libretto, manuscript with stage directions
Libretto in German with many stage directions and scenery sketches inserted from the performance in Weimar.
Performances
12 May 1846 | The Royal Theatre (Det Kongelige Teater), Copenhagen (Royal Danish Orchestra (Det Kongelige Kapel); singers: Anna Nielsen (Fru Malfred); Pauline Rung (Liden Kirsten); Vilhelmine Bergnehr (Etle); Juliane Winsløw (Mor Ingeborg); Christian Hansen (Sverkel); Rasmus Faaborg (Narren)). First performance. Reviews: Berlingske Tidende, 13 May 1846. Fædrelandet, 23 May 1846. Kjøbenhavnsposten, 25 May 1846. |
17 May 1846 | |
22 May 1846 | |
23 May 1846 | |
3 Oct. 1846 | |
23 Oct. 1846 | |
4 Mar. 1847 | |
9 Mar. 1847 | |
16 Apr. 1847 | |
26 Apr. 1847 | |
6 Jan. 1848 | |
3 Mar. 1848 | Memorial performance for King Christian VIII. |
14 Mar. 1848 | |
27 Mar. 1848 | |
22 Sept. 1848 | |
15 Feb. 1850 |
Review: Thalia, 41, 16 Feb. 1850. |
17 Jan. 1856 | Hof-Theater, Weimar (Hofkapelle; conductor: Carl Stör; soloists: Rosa von Milde-Agthe (Liden Kirsten); Karl Knopp (Sverkel); Friedrich Caspari (Narren)). |
1 Feb. 1856 | Hof-Theater, Weimar (Hofkapelle; conductor: Franz Liszt (?)). Second German performance. |
29 Oct. 1858 | (singers: Augusta Holm (Fru Malfred); Emilie Liebe (Liden Kirsten); Anna Rosenkilde (Etle); J. Lund (Mor Ingeborg); Christian Hansen (Sverkel)). Reviews: Flyveposten, 1 Nov. 1858. Berlingske Tidende, 2 Nov. 1858. |
1 Nov. 1858 | |
4 Nov. 1858 | |
9 Nov. 1858 | |
8 Jan. 1859 | |
10 Jan. 1859 | |
13 Apr. 1859 | |
26 Sept. 1859 | |
12 Oct. 1859 | |
16 Dec. 1859 | |
27 Mar. 1860 | |
30 Dec. 1863 | (soloists: Charlotte Bournonville (Fru Malfred); Emilie Liebe (Liden Kirsten); Anna Henriette Andersen (Etle); Josephine Zinck (Mor Ingeborg); Julius Steenberg (Sverkel); August Zinck (Narren)). |
5 Jan. 1864 | |
18 Jan. 1864 | |
6 Feb. 1864 | |
18 Feb. 1864 | |
13 May 1864 | |
24 Apr. 1869 |
Reviews: Berlingske Tidende, 26 Apr. 1869. Dagbladet, 26 Apr. 1869. Dagbladet, 28 Apr. 1869. |
26 Apr. 1869 | |
5 May 1869 | |
11 May 1869 | |
21 May 1869 | |
11 Sept. 1869 | |
20 Sept. 1869 | |
10 Nov. 1869 | |
7 Dec. 1869 | |
6 Jan. 1870 | |
12 Mar. 1870 | |
10 Apr. 1870 | |
25 Apr. 1870 | |
6 May 1870 | |
14 Sept. 1870 | |
17 Sept. 1870 | |
26 Sept. 1870 |
Review: Dagbladet, 1 Oct. 1870. |
9 Dec. 1870 | |
9 Jan. 1871 | |
23 Mar. 1871 | |
11 Apr. 1871 | |
9 May 1871 | |
22 Oct. 1874 | (conductor: H.S. Paulli; singers: Agnes Nyrop (Fru Malfred); Sophie Rung-Keller (Liden Kirsten); Anna Levinsohn, neè Andersen (Etle); Charlotte Bournonville (Mor Ingeborg); Julius Steenberg (Sverkel); Harald Edvard Christophersen (Narren)). First performance in the new building of The Royal Theatre. Review: Fædrelandet, 23 Oct. 1874. |
26 Nov. 1874 | |
4 Dec. 1874 | |
6 Dec. 1874 | |
3 Feb. 1875 | |
6 Mar. 1875 | |
2 Apr. 1875 | Celebrating H.C. Andersen's 70th birthday. |
26 Apr. 1875 | |
2 Sept. 1875 | |
6 Sept. 1875 | |
4 Oct. 1875 | |
30 Oct. 1875 | |
19 Nov. 1875 | |
22 Feb. 1876 | |
2 Mar. 1876 | |
16 Dec. 1876 | |
5 Jan. 1877 | |
8 Jan. 1877 | |
15 Feb. 1877 | |
4 Oct. 1880 | Aalborg Nye Theater, Aalborg (32 Musici; conductor: Balduin Dahl). Overture only. |
2 Apr. 1881 |
Review: Fædrelandet, 4 Apr. 1881. |
19 Apr. 1881 | |
22 Apr. 1881 | |
5 Feb. 1882 | |
8 Feb. 1882 | |
18 Feb. 1882 | |
21 Feb. 1882 | |
24 Feb. 1882 | |
10 Mar. 1882 | |
13 Mar. 1882 | |
13 Apr. 1882 | |
9 Sept. 1882 | |
18 Sept. 1882 | |
20 Oct. 1882 | |
15 Feb. 1883 | |
6 Mar. 1888 | Julius Steenberg's farewell performance. |
16 Oct. 1890 |
Review: Nationaltidende, 17 Oct. 1890 (Angul Hammerich). |
19 Oct. 1890 | |
25 Oct. 1890 | |
31 Oct. 1890 | |
5 Nov. 1890 | |
17 Nov. 1890 | |
26 Nov. 1890 | |
29 Nov. 1890 | |
9 Dec. 1890 | |
19 Dec. 1890 | |
8 Jan. 1891 | 100th performance. |
20 Jan. 1891 | |
10 Sept. 1891 | |
21 Sept. 1891 | |
13 Oct. 1891 | |
18 Oct. 1891 | |
23 Oct. 1891 | |
17 Nov. 1891 | |
19 Nov. 1891 | Haandværkerforeningens Festsal, Aarhus (Marie Tuxen, soprano; C. de Lichtenberg, baritone). Nos. 7 & 8. |
10 Dec. 1891 | |
13 Dec. 1891 | |
26 Feb. 1893 | Slagelse (Slagelse Sangforening). |
14 May 1895 | Celebrating Hartmann's 90th birthday. |
17 May 1895 | |
19 May 1895 | |
22 May 1895 | |
26 May 1895 | |
27 May 1895 | |
1 Sept. 1895 | |
4 Sept. 1895 | |
2 Oct. 1895 | |
20 Oct. 1895 | |
19 Nov. 1895 | |
22 Nov. 1895 | |
12 Dec. 1895 | |
25 Jan. 1896 | |
12 May 1896 | |
17 May 1896 | |
2 July 1898 | Dannebrog, Rønne (singers: Magda Herold; Vilhelm Herold; Anna Jørgensen, piano). |
Documents
Letters:
8 Apr. 1845 | from Jonas Collin to J.P.E. Hartmann, DK-KkDet Kongelige Bibliotek, København NKS 3392 4º no. 67. (Breve 1780-1900 no. 232) |
11 Oct. 1845, Copenhagen | from J.P.E. Hartmann to H.C. Andersen, DK-KkDet Kongelige Bibliotek, København Collinske Brevsamling VIII no. 139. (Breve 1780-1900 no. 238) |
2 Jan. 1846, Berlin | from H.C. Andersen to J.P.E. Hartmann, DK-KkDet Kongelige Bibliotek, København NKS 2642 2º. (Breve 1780-1900 no. 249) |
4 May 1846, Copenhagen | from C.C. Lose to J.P.E. Hartmann, DK-KkDet Kongelige Bibliotek, København NKS 3392 4º no. 190. (Breve 1780-1900 no. 264) |
9 June 1846, Neapel | from H.C. Andersen to J.P.E. Hartmann, DK-KkDet Kongelige Bibliotek, København NKS 2642 2º. (Breve 1780-1900 no. 266) |
9 June 1846, Copenhagen | from J.P.E. Hartmann to Lose & Delbanco, DK-KkDet Kongelige Bibliotek, København NBD VII no. 261. (Breve 1780-1900 no. 267) |
31 July 1846, Copenhagen | from J.P.E. Hartmann to O.H. Delbanco, DK-KkDet Kongelige Bibliotek, København Troensegaard I. (Breve 1780-1900 no. 270) |
18 Nov. 1846, Copenhagen | from J.P.E. Hartmann to H.C. Andersen, DK-KkDet Kongelige Bibliotek, København Collinske Brevsamling VIII no. 140. (Breve 1780-1900 no. 278) |
11 Sept. 1855, Weimar | from H.C. Andersen to J.P.E. Hartmann, DK-KkDet Kongelige Bibliotek, København NKS 3392 4º no. 11. (Breve 1780-1900 no. 512) |
29 Dec. 1855, Weimar | from Franz Liszt to J.P.E. Hartmann, DK-KkDet Kongelige Bibliotek, København NKS 3392 4º no. 188. (Breve 1780-1900 no. 514) |
9 July 1856, Maxen bei Dresden | from H.C. Andersen to J.P.E. Hartmann, DK-KkDet Kongelige Bibliotek, København NKS 3392 4º no. 12. (Breve 1780-1900 no. 518) |
9 July 1856, Copenhagen | from J.P.E. Hartmann to H.C. Andersen, DK-KkDet Kongelige Bibliotek, København Collinske Brevsamling VIII no. 145. (Breve 1780-1900 no. 519) |
21 July 1856, Roeskilde Palai | from J.P.E. Hartmann to H.C. Andersen, DK-KkDet Kongelige Bibliotek, København Collinske Brevsamling VIII no. 146. (Breve 1780-1900 no. 520) |
10 July 1859 | from J.P.E. Hartmann to H.C. Andersen, DK-KkDet Kongelige Bibliotek, København Collinske Brevsamling VIII no. 149. (Breve 1780-1900 no. 532) |
15 June 1860, Bamberg | from H.C. Andersen to J.P.E. Hartmann, DK H.C. Andersens Hus, Odense. (Breve 1780-1900 no. 540) |
27 June 1860, Copenhagen | from J.P.E. Hartmann to H.C. Andersen, DK-KkDet Kongelige Bibliotek, København Collinske Brevsamling VIII no. 150. (Breve 1780-1900 no. 541) |
18 Aug. 1860, Copenhagen | from J.P.E. Hartmann to H.C. Andersen, DK-KkDet Kongelige Bibliotek, København Collinske Brevsamling VIII no. 151. (Breve 1780-1900 no. 543) |
25 July 1861, Roeskilde | from J.P.E. Hartmann to H.C. Andersen, DK-KkDet Kongelige Bibliotek, København Collinske Brevsamling VIII no. 152. (Breve 1780-1900 no. 554) |
27 Dec. 1863, Copenhagen | from J.P.E. Hartmann to H.C. Andersen, DK-KkDet Kongelige Bibliotek, København Collinske Brevsamling VIII no. 160. (Breve 1780-1900 no. 590) |
4 July 1865, Sophielyst | from J.P.E. Hartmann to Carl Hartmann, DK-KkDet Kongelige Bibliotek, København NKS 4893 4º. (Breve 1780-1900 no. 637) |
4 Mar. 1894, Berlin | from Emil Hartmann to J.P.E. Hartmann, DK-KkDet Kongelige Bibliotek, København NKS 3392 4º no. 441. (Breve 1780-1900 no. 1445) |
14 May 1895 | from Sophie Keller, neé Rung to J.P.E. Hartmann, DK-KkDet Kongelige Bibliotek, København NKS 3392 4º no. 167. (Breve 1780-1900 no. 1510) |
19 May 1895, Holbæk | from C.St.A. Bille to J.P.E. Hartmann, DK-KkDet Kongelige Bibliotek, København NKS 3392 4º no. 27. (Breve 1780-1900 no. 1519) |
Bibliography
Thomas Overskou: Den danske Skueplads, i dens Historie. Copenhagen 1864: vol.5, pp. 735-736.
Angul Hammerich: J.P.E. Hartmann. Biografiske Essays. Copenhagen 1916, pp. 64-65.
Gustav Hetsch: H.C. Andersen og Musiken. Copenhagen 1930, pp. 57-60.
Richard Hove: J.P.E. Hartmann. København 1934, pp. 53, 54-58, 65, 68-70, 78, 80, 89, 92, 111, 113, 133.
Otto Foss: 'Hartmanns "Liden Kirsten" et 100 Aars Minde'. Jyllands-Posten, 28 Aug. 1946.
Søren Sørensen: 'En dansk Guldalder-opera: den musikalske karakteristik i Hartmanns "Liden Kirsten"', in: Guldalderstudier. Festskrift til Gustav Albeck den 5. juni 1966 (Aarhus 1966), pp. 219-233.
Nils Schiørring: 'Liden Kirsten's skaber'. Berlingske Tidende, 9 Mar. 1950.
Kai Aage Bruun: Dansk musiks historie fra Holberg-tiden til Carl Nielsen. København 1969: vol.2, pp. 40-46.
Gerhard Schepelern: Liden Kirsten (= Samfundet til Udgivelse af dansk Musik, 3. serie, No. 207). Copenhagen 1975, pp. i-viii.
Nils Schiørring: Musikkens historie i Danmark. København 1978: vol.2: 1750-1870, pp. 268-271.
Niels Martin Jensen: 'Dansk nationalromantik. Forsøg til en begrebs- og indholdsbestemmelse'. Musik & Forskning, 13, 1987-88, pp. 37-56.
Erik Sønderholm: 'Hans Christian Andersen als Opernlibrettist'. Anderseniana, 1996, pp. 30-32.
Inger Sørensen: 'H.C. Andersen og J.P.E. Hartmann - et livslangt venskab'. Anderseniana, 1997, pp. 5-40.
Knud Arne Jürgensen: The Bournonville Tradition. The first fifty years, 1829-1879.. London 1997: vol.2 An annotated bibliography of the choreography and the music, the chronology, the performing history, and the sources, pp. 113-114, 205, 221-222, 348-349.
Nils Holger Petersen: 'Liturgy and Ambiguity in J.P.E. Hartmann and Hans Christian Andersen's '"Little Kirsten" (1846)', in: Medievalism. The Yearbook for 1995, vol.x (Michigan 1999), pp. 50-62.
Inger Sørensen: Hartmann - et dansk komponistdynasti. København 1999, pp. 215-233, 348, 386, 418-420, 589-593.
Nils Holger Petersen: 'Ritual og teologi i J.P.E Hartmann og H.C. Andersens "Liden Kirsten" (1846)'. Transfiguration. Nordisk Tidsskrift for Kunst og Kristendom, 3/2, 2001, pp. 77-92.
Knud Arne Jürgensen: 'Den store kunstnergeneration 1805. Teatersamarbejdet mellem Andersen, Bournonville og Hartmann'. Fund og Forskning i Det Kongelige Biblioteks Samlinger, 44, 2005, pp. 439-464.
Last changed 2022-12-02 by MerMEId